Spring is dead. Long live Spring.

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Dead tulips, and there’s something to be said for leaving them there, in their vase with no water.

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Return of the Unabridged Adventure Series

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As some of you may remember from a previous post, I bought, not too long ago, a five-inch-thick dictionary from 1937, which is now proudly displayed on a re-purposed deck railing stand in my living room.

I began documenting the items I found inside the book. First, a newspaper article. Then some rosesA sketch by Mom. Finally, a fern. I was reminded of all these fine findings when I accidentally flipped to the first blank page of the dictionary this morning, only to see this lonely blossom that must have somehow migrated from page 231.

I’ve decided to expand The Unabridged Adventure Series to include my entire book collection. Many copies purchased used. Many purchased new and now used, likely to contain bits I’ve left behind.

Productive Spaces: the Productivity of being Flexible

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I have a small home office. Complete with desk, shelves, printer, ambient lighting, inspiring paintings, and reference books. But in the morning, the sun comes in the house here. It’s a an empty soon-to-be baby room with psychedelic wallpaper of safari animals.

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In the spring, this trees blooms, and so I sit here, smell here, have coffee right under it. Sometimes the neighbors give me long Dutch stares. Sometimes a child stops by with a soccer ball to ask me a question I don’t understand. (I know neither Dutch nor soccer.)

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In summer, it’s usually the backyard. Everyone is close at hand, but the eight-foot-tall fences allow me only to speculate, and hence, to write. A little girl yells. A bike bell dings. Someone splashes in–what is that?–a kiddie pool. A moped passes far too quickly in the back alley.

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And none of this is as perfect as it sounds. Sometimes the writing comes; sometimes it sticks like globs of crunchy peanut butter to the back of my brain. Sometimes it rains on my laptop and I have to run inside. Soon, there will be a baby in one of my writing rooms, and so I’ll have to move on. And that is, I think, what writers do: move on. Change perspective even if it only means the domestic scenery. Write in the attic laundry room where the morning light also comes in quite nicely.

(For a short piece of fiction on this topic, see “The Year-Ago You” published online at Tethered by Letters: http://tetheredbyletters.com/index.php?option=com_content&view=article&id=380.)

Monday Metaphor

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First, you buy flowers. You love them so much you can’t seem to part. They sit in your living room, on your dining room table, on that hard-to-reach-but-totally-worth-it shelf in your upstairs bathroom where no one sees them but you and only when you’re in the tub. They sit so long that now a soft cough in the same room strips them of their petals. A politely closed door anywhere in the house. Now is time to carry them outside. And they fall apart, each pink petal adding to the story.

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